biography

Born in Sydney, I have lived in the Blue Mountains for 16 years. As a performance creator and visual artist I work at the intersection of dance, installation, theatre and architecture. My recent works fall into the categories of performance art and installation. I work in solo, duet or group formation depending on the project. I also collaborate with my partner WeiZen Ho. In Sydney I was the founding member of seminal performance ensemble Gravity Feed (1992-2004) and of Gravity Research Institute (2000-2019). I conceive, devise, design, and choreograph and direct performance projects. I especially work with materials and objects and with site responsive concepts. My projects and performance address the essence of site, employing materials that perform in relation to and with body and place. I’m driven to seek underlying historical residues and my work reflects my personal post-Holocaust legacy in which I’m particularly focussed on the diasporic condition. I’m influenced by both contemporary and traditional cultural and artistic practices of Japan, China and SE Asia, with practice, participation and research in those regions. Recently I’ve presented work for smaller festivals in Newcastle and Maitland as well at Cementa15 and Cementa22 in Kandos. WeiZen Ho and I were commissioned artists for the 2022 Keir Choreographic Awards.

Alan has not updated their categories as yet.

Alan has not updated their categories as yet.

Alan Schacher

portfolio

Black St./Reamer

Dynamic installation on the rooftop (bell tower) of Kandos Museum, a former Methodist Church.

Sweet Separation

A public performance/ installation using my body weight in sugar cubes.

Evaporative Body / Multiplying Body

Duet dance work created with WeiZen Ho.

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ACKNOWLEDGMENT OF NGURRA

The City of the Blue Mountains is located within the Ngurra (Country) of the Dharug and Gundungurra peoples. MTNS MADE recognises that Dharug and Gundungurra Traditional Owners have a continuous and deep connection to their Country and that this is of great cultural significance to Aboriginal people, both locally and in the region. For Dharug and Gundungurra People, Ngurra takes in everything within the physical, cultural and spiritual landscape – landforms, waters, air, trees, rocks, plants, animals, foods, medicines, minerals, stories and special places. It includes cultural practice, kinship, knowledge, songs, stories and art, as well as spiritual beings, and people: past, present and future. Blue Mountains City Council pays respect to Elders past and present while recognising the strength, capacity and resilience of past and present Aboriginal and Torres Strait Islander people in the Blue Mountains region.