members

Browse the MTNS MADE members who have listed Sculpture in their amongst their list of capabilties

Heidi Axelsen

Heidi Axelsen

I am a visual artist, cultural worker and researcher focussed on working in public space and building creative communities and places. I have founded, built and run MAPA Art + Architecture together Hugo Moline since 2015. Prior to that I was part of The Lot collective. I have managed public art and cultural projects both temporary and permanent, for clients including: City of Sydney, Westmead Hospital, Sherman Contemporary Art Foundation, Parramatta City Council, Powerhouse MAAS, Urban Art Projects, Defence Housing Australia, amongst others. Working on complex collaborative public art projects I have developed effective project & time management skills and successfully led teams of contractors, fabricators, engineers and installers. In our collaborative practice, Hugo and I have undertaken residencies and produce research outcomes in Japan at Australia House for the Echigo Tsumari Art Triennial, at NIDA Art Colony in Lithuania, the Canadian Centre for Architecture, The Museum of Loss and Renewal in Italy and others. Alongside my creative practice I have twelve years of professional experience working in the visual arts and local government sector. In 2005 I graduated from Macquarie University with a Bachelor of Creative Art majoring in Arts Management and in 2008 I graduated with a Bachelor of Fine Arts from the National Art School majoring in Sculpture. In my various roles as Creative Industries Project Officer at Blue Mountains City Council, Curator of Bankstown Biennale, Bankstown City Council, Cultural Development Officer at Fairfield City Council I have been responsible for producing and managing creative programmes, exhibitions and grant programs. I have also taught as sessional academic at in interdisciplinary design at the University of Technology Sydney, in architecture at the Sydney University and worked as a research co-ordinator at the University of Newcastle in the School of Humanities, Creative Industries and Social Sciences.

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Michelle Snowdon

Michelle Snowdon

Michelle was drawn to the blue haze of Blackheath in 1997, raised her three children in the upper mountains whilst maintaining her art practice, facilitating workshops throughout Australia and the USA. She now resides in an empty nest overlooking the vast expansive Wollemi on the edge of the Blue Mountains perched in a small fringe town. Michelle is a practicing fibre artist, has a BA(Visual Arts) and Masters in Art Therapy, has exhibited in California, Florida, Connecticut, Quebec, Tasmania and throughout NSW, VIC & ACT. Her art yarn designs have been published in three books: Hand Spun; Intertwined; and Hand-spinning and Dyeing Yarn. Michelle’s recent arts-based research explores the connection between materiality and neuroscience, the many knowledges and ways in which interactions with art materials affect emotional and mental health and well-being. “My hands explore a tactile knowing through twisting fibres into yarn, cordage, string, intertwining wool, silk, flax, cotton and discarded clothes, create intuitive threads for contemplative weaving. I spin, ravel, fray, unravel, pause, breathe, re-align, loop, weave, stitch, bind, repair, explore practise as metaphor for the ebb and flow of human experience. Interested in the interconnection between self and the natural world.. coexisting and cobecoming, my dimensional artworks in yarn, weave and sculpture reflect qualities of light illuminating and casting shadow, textures regenerating, shifting form. I invite the viewer to touch, to bring into view the outside, to notice a shifting presence within.” Michelle has a playful, inquisitive approach to the art of spinning yarn and a natural inclination to push the boundaries of materiality in her art. She is sought for her unique ability to guide others to seek and deepen connections with their own creativity. Michelle welcomes enquires for private and corporate commissions, workshops, exhibitions and collaborations.

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Damian Castaldi

Damian Castaldi

Damian Castaldi is an artist, percussionist and sound designer currently based in Katoomba. He lives and works in a house and studio he recently oversaw the building of (as an owner-builder) with his wife Solange Kershaw. His solo and collaborative career is built on a practice of mixed media installation, performance, electroacoustic and audio-visual production and the occasional exhibition. He has lectured in Music and Sound Design at the University of Technology Sydney and Audio Production at the School of Audio Engineering Sydney. After graduating from the Sculpture, Performance & Installation (SPI) studio at Sydney College of the Arts he returned to SCA to work as the Studio Supervisor in the Electronic and Temporal Arts department, whilst also graduating with an MA in Media Art from the UNSW College of Fine Arts. As a young man he acquired the skills of big band, swing and improvisational jazz drumming. Soon after he spent a year working with the English craftsman Dickie Blackman in his workshop at the Margaret Little Memorial School with whom he acquired hand woodworking and musical instrument building skills. The conceptual and creative focus in his current work varies from exploring playful human/object based interaction to more severe community based human/environment or human/human based interaction. The technically creative focus is on designing real-time interactive systems using software, sensors, signal processing, new musical instruments and sculptural objects for performance, assemblage and multi platform audio-visual installation.

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Tim K Jones

Tim K Jones

Mount Victoria based multimedia artist whose practice explores concepts focusing on perception, technology, humanity and nature. My artwork aims to create evocative spaces using a 2.5D relief sculpture layering technique. My formal studies include a Bachelor of Arts (Fine Art) and Post-graduate Dip Ed (Art & English) from Curtin University. Exhibiting since 1981 my work has been accepted for numerous group exhibitions including the Rick Amor Drawing Prize, National Art Gallery of Ballarat; Gallipoli Art Prize, Gascoyne Arts Prize (2021 runner up) and Blue Mountains City Art Gallery. In 2016 I held solo exhibitions at GalleryONE88 before becoming a partner in the Gallery Blackheath, an artist run cooperative – now closed due to COVID. As a longstanding committee member (former President) of the Mount Victoria Museum, I’ve helped stage and participated in several successful collaborative exhibitions with leading Blue Mountains contemporary art groups (Birdland2 with SLAB cooperative and Black & Blue 2 Blume Illustrated at BM Cultural Centre). Through the museum, I’ve successfully developed/project led several exhibitions including the award winning (MG&NSW Highly Commended) 150th of Railway to Mount Victoria. For the Mt Vic 150th I produced an animated historic photo projection and an oral history touchscreen system. Pop up 150th railway exhibitions for Bowenfels (Lithgow) and Blackheath were also successfully staged. My design work included graphic files for large format print banners, one of which is permanently displayed at Blackheath railway station. As an active management committee member of the Greater Blue Mountains Creative Arts Network, performing the company secretary role (former acting treasurer), I have experience with the logistics for developing and producing group art projects. GBMCAN aims to encourage the building of a stronger arts community across the Greater Blue Mountains by fostering member driven initiatives and building partnerships with other arts organisations and businesses.

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Rose Stibbard

Rose Stibbard

The Blue Mountains Cultural Centre showcases innovative, diverse, distinctive and creative cultural programs for enjoyment by residents of, and visitors to, the Blue Mountains. Located in the heart of Katoomba the Blue Mountains Cultural Centre encompasses the Blue Mountains City Art Gallery, Katoomba Library and Into the Blue, an interactive exhibition that explores the history and natural landscape of the Blue Mountains. Visitors can also enjoy the viewing platform that takes in stunning panoramic vistas of Katoomba and the Jamison Valley. Opened in 2012, the Blue Mountains City Art Gallery features major touring, curated, regional and local exhibitions. Its Altitude Exhibition Program is dedicated to showcasing artists who reside in the Blue Mountains Region. The Gallery also hosts many quality exhibition programs such as curator and artist talks, educational workshops, gallery tours and outreach programs. The Cultural Centre also hosts school holiday programs for kids, pop-up art activities, artisan markets, performances, and a wide range of community related events. The Blue Mountains Cultural Centre also features a Gallery Shop and Café, both of which aim to highlight local makers and produce. The Shop stocks a wide variety of quality Australian made gifts, books and homewares, with a focus on artisan products designed and made here in the Blue Mountains. The licensed Gallery Café has a particular focus on quality, locally produced ingredients. You can enjoy freshly roasted coffee, delicious cakes, and a seasonal menu while overlooking the magnificent Jamison Valley. Please email culturalcentre@bmcc.nsw.gov.au to get in touch!

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ACKNOWLEDGMENT OF NGURRA

The City of the Blue Mountains is located within the Ngurra (Country) of the Dharug and Gundungurra peoples. MTNS MADE recognises that Dharug and Gundungurra Traditional Owners have a continuous and deep connection to their Country and that this is of great cultural significance to Aboriginal people, both locally and in the region. For Dharug and Gundungurra People, Ngurra takes in everything within the physical, cultural and spiritual landscape – landforms, waters, air, trees, rocks, plants, animals, foods, medicines, minerals, stories and special places. It includes cultural practice, kinship, knowledge, songs, stories and art, as well as spiritual beings, and people: past, present and future. Blue Mountains City Council pays respect to Elders past and present while recognising the strength, capacity and resilience of past and present Aboriginal and Torres Strait Islander people in the Blue Mountains region.